THE ART AS METHOD OF INVESTMENT
An every time major number of multimillionaire young people and managers of investment funds of risk are directing his money to the market of the art.

AS TO SELECT THE DIRECTOR OF MUSEUM
There are more and more well-known and polemic the dismissals and the directors' appointments of our museums of state entitlement. It is a question of analyzing here the ways of choosing the director and employers of these centers, of indicating possible models (our neighbors can teach us) and, especially, of doing a call to the cultural agents so that, between all, we demand the end of an inadmissible interventionism.

TO SUPPORT YOUNG CREATORS
The sleep of every painter who boasts is to be able to make the living exclusively with the benefits that the sale of his works generates. Nevertheless, the world of the art is so closed and inaccessible, that finds it hard to the new generations perspiration and tears to reach recognition and prestige.

JEAN CLAIR, HISTORIAN OF ART, ALWAYS TO CROSS-CURRENT
In the world of the art, to go to cross-current does not suppose necesarimente dying drowned, especially if you have a solid culture and such a deep and didactic knowledge like Jean Clair. And more in these times: a text of this intellectual throws more light than hundred pages of the most wise commissioner of biennial, usually turned in star.

PSEUDOGALLERIES: THE ARTIST ALWAYS LOSES
The number of art galleries that only are of name overcomes fully to that of the authentic galleries. His activity organizes concerning collective or individual exhibitions previous payment on the part of the artist.

INTRODUCTION TO THE MARKET OF ART

At present, the art has turned into an object with economic value up to the point of which some artists realize works with commercial criterion and some collectors spend sums much raised in buying works as investment of his capitals knowing that the gold or other means of investment can rise or go down, but the art supports his value in ascent. The buy of these objects of art fulfills, therefore, the law of supply and the demand.

YOU RULE TO CLIMB IN THE WORLD OF THE ART

This romantic world, where the art is the purest of the human declarations, is much buried at present. In the place of this utopia there are now artists, healers, the directors of museums and collectors who fight to occupy a top place in the social hierarchy of the limited artistic sphere.

AS TO STEAL ART AND TO PLACE IT ON THE MARKET
The antiquarian, sometimes, ignores the origin; others, he tries not to ask very much. Still today it turns out to be easy to remove works of art, if it is that it remains slightly valuable in temples. Those who steal works of art operate for intuition, and a few times are right and others not. As the good swindlers, Erik Belgian was choosing restaurants with two doors.

THE TAUROMACHY IN THE CERAMICS OF PICASSO
As through an allegory of the love and the death Picasso lived the topic of the bulls, like a singular obsession where it was capturing his fears, his wishes and his fantasies.

HISTORY OF THE PORTRAIT
A revision for the history of the portrait of the biggest artists from the Renaissance until the beginning of the XXth century.

THE AVANT-GARDES IN SPAIN
The first artistic movements of the XXth century, from 1910 up to the explosion of the Second World War, are known by the name of "historical avant-gardes".

THE UNFORMALISM
Under the epigraph "Unformalism" there has gathered together a series of tendencies, more or less related, like Abstract Expressionism, Informal Art, Painting S�gnica or Art Mat�rico.

ARTISTIC ENGRAVING: PRAISE OF THE TEST
The tests of the state (sealed in the picture with the initials P.E., or P/E), it is those printings that the recording artist realizes to know the current state of his work in the counterfoil or iron. The author analyzes the obtained test, this allows him to take decisions directed to the progress of the final score of his work.

THE COLLECTING IN THE ART HISTORY
The inability to define the artisticidad of an object produced by the man, and that we call conditionally an art, does that the works of art are valued according to not artistic criteria or esthetic sobrea�adidos, especially after the collected work or museada and out of his context, it has lost his functionality.

THE HETEROGENEOUS WORLD OF THE MONOTYPE
The man began to leave symbolic marks in his environment thousands of years ago, with the premeditation of meaning a space, his "space", and probably, of serving as a warning to possible competitors or banishing harmful forces (indalo). Since then up to the current moments the graphic expression has suffered many and important transformations.

WOMEN ARTISTS IN INTERNET
"If opportunities there are few ones, in the world of the art there is less. For the young artists the difficulties multiply. And if the young man is a woman, already you can die". There speaks Marisa Mancilla, the newly licensed one in Fine arts and this way express what has been and is the panorama that the young artists find when they go out of the faculty.