Giuliano della Rovere, the pope patron, soldier and authentic sovereign of the Christendom, was a man of very much ingenuity, of refined taste, an artists' ideal connoisseur and works of art.

l development of the Sculpture in the Renaissance is evident in the new features, new ways of seeing the figures in his relation with the space that wraps them, new forms that inspire in him Greek classicism and new concepts, sometimes, still transmitted between Gothic residues.

Put itself to the test his knowledge on this epoch of the art answering the following questionnaire:

1.-What was the Italian city in which the sculpture developed, principally, in the Renaissance immediately after the abundant realized orders?
Florence Venice Siena	Answer
2.-Llamado in fact Donato de Niccoló Bardi [1382-1446], Donatello is the most complex artistic personality of the XVth century in Italy. He was a very technical, skillful and intelligent sculptor. Does he know in the workshop of which sculptor learned the office?
Leonardo da Vinci Lorenzo Ghiberti Luca della Robia	Answer
3.-En 1506, in Rome, the Pope Julio II lover of ambitious and bold projects entrusts him to Miguel Angel the project of his grave. After accepting the order it goes to the marble quarries to choose straight the blocks at which the papal musoleo would be employed. To what quarries do we refer?
Taperona Maquelo Carrara	Answer
4. - At the beginning of The XVIth century there reside in Spain some Italian artists who introduce the taste for the quattrocento. Which d these three artists is not of Italian origin, did not even settle down in Spain?
Domenico Fancelli Juan de Bologna Felipe Vigarni	Answer
5.-El fact more emphasized from the Spanish Renaissance sculpture is his abundant production in reredoses, tombs, sillerías of choir or religious images. What is the materíal most used in his achievement?
Polychrome Madeira Marble Stone	Answer