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GALLERY Virgin reredos of the Rosary. XVI - XVIIth century. Artieda (Aragon) Golden rose window. Chapel San Bartolomé. Soria (Spain). TIES GLOSSARY OF ART A:: B:: C:: D:: AND:: F:: G:: H:: I:: J:: K:: L:: LL:: M N:: Ñ:: OR:: P:: Q:: R:: S:: T:: OR:: V:: W:: X:: AND:: Z Rayismo/Rayonismo: Artistic movement initiated in Russia, for M. Larionov and N. Goncharova in 1913. The Rayismo was remaining defined in the theoretical Manifesto as a synthesis of Cubism, Futurism and Orfismo. The "beams of colors" of Larionov, arranged in rhythmic and dynamic sequences, were constructing the pictorial space; while the works of Natalia Goncharova were including elements and more related ways to the Italian futurists. Rayonismo. - A current of the abstract painting initiated by Mijail Larionov, in which one tries to express the dynamics of the light. Rayonismo: The picture must seem that it floats in the time and in the space, thanks to parallel and perpendicular color beams. Rayograma: Photomechanical procedure developed by Man Ray, which consists of the alteration of a badge sensitive to the light by means of the direct application of diverse objects. A few suggestive chance forms are the result if several exhibitions are done. Christian Schad conceived with his Shadografia a procedure similar to that of the rayograma. Realism: Attitude or esthetic tendency that tries to reproduce with seemed the reality. Relief: Sculpture does not exempt or isolated. The relief can be: Altorrelieve:Relieve that there stands out more than half of the bundle. Mediorrelieve:Relieve that half of the bundle stands out. Bas-relief: Relief that there stands out less than half of the bundle. Embossed: Work carried out on the metal martilleando his later part to obtain a relief on the part visible (obverse). Also the leather one works this way and it gets the name of cordovan leathers for the Muslims work in Cordova. Reredos: Table or set of fixed or mobile stage placed on or behind an altar and that are usually decorated with paintings or sculptures. Plastering: Layer of lime and sand (or similar materials) with that the ornaments are covered. Rosette: Decoration in the shape of rose. Rose window: Vain circular openwork, especially in the medieval art. Rotorrelieve: Concept minted by Duchamp for a few glass or metal discs, which, on having turned, obtain a few plastic effects by means of the optical illusions of the refraction of light, with what continuously they change their own optical declaration. Lounge plants of: it plants basilical whose side ships have the same height as the head office giving sensation of big room. Blood: Drawing realized with a dark red colored pencil similar to the cake. Section d'Or (golden Section): Group that, in 1912, split of the Cubism praised by Picasso and Braque, to which they criticized both for his limited chromatic scale and for his subject-matter limited in practice to dead natures. Léger, Duchamp, Picabia and Juan Gris, between other artists who integrated the group, were advocating a more dynamic painting, of more violent colors and that he respected a few precise rules of proportional harmony. The try dissolved in 1914. Semantics: Lyric - abstract artistic tendency that develops his motives from symbolic signs using them like key of a certain mental and sensitive content. Serigraphy: system that consists of moving the drawing that it wants to reproduce on a counterfoil constituted by the thinnest textile (it sedates... by means of a special varnish that plugs the gaps between the masses. Superposing the counterfoil to the support (role or another material) where it is necessary to print and extending on this one a special ink by means of a spatula the ink filters only across the free meshes leaving in the support the due outlines. Shaped canvas:Soporte proceeding from the painting Colour field which the formations on the surface of the picture also influence the exterior form of the picture. There is suppressed completely the scheme of the rectangular formats of the picture in favor of a few elongated, egg-shaped or rhomboid forms. The pictorial act moves often to the rims of the picture and incorporates the frame and the singings in the structure of the presentació Ashlar: Stone worked in the shape of parallelepiped that is used in construction. Sillarejo: Small carved ashlar roughly. Chairs: Work done with well worn out ashlars. Also it is named a chairs to the set of the worn out banks of the choir of a church with the same style. Cord and ember: Type of chairs in which the ashlars arrange one to themselves from his part long and other for I cut alternatively. Sogueado: Decoration with form of cords or ropes. Hatching: Work that is carried out bearing in mind the relation of clear and dark values what it gives like turned out the securing of suggestion of volume in two-dimensional objects. Support: Any element of sustenance of other. Luxury: To see in decorative arts. Suprematismo: Artistic current supported for K. Malevich in 1913 and spread, later in 1915, by Maiakovsky. It was defending the employment of geometric forms - circle, square, triangle - descontextualizadas from any emotive reference and the combination of pure colors on white fund. The movement had brief duration and limited influence in Russia, but his echoes remained gathered in the didactic methodology of the Bauhaus, thanks to the work of The Lissitzky and Moholy-Nagy. Systemic painting: Current parallel to the Minievil art in the field of the painting, which in the second half of the twenties also forms like subsequent development of the painting Colour field. There is typical the construction of the picture guided by a few systematical structures. Tachismo: Artistic current of the abstract expressionism in France that gives in to the executed pictorial act of completely spontaneous form allowing this way the direct expression of his imaginations (correct =manchas of color). To carve: To sculpt, to work a hard material with cutting instruments. Taracea: Skill that consists of embedding wood stones or other materials cutting away in accordance with a pre-established line to achieve a decorative composition. Tempering: Consistent pictorial skill in diluting the colors in water tempered or increased with agglutinating agents. It is applied on table or wall and can be retouched overland, in contrast to the fresh air. Terracotta: To see in Ceramics. Tesela: To see in mosaic. Testero: Head of a temple. It is usually put up nearby of the principal entry. Tetramorfos: I combine ce the symbols of 4 Evangelists: man (S. Mateo), ox (S. Lucas), León (S. Marcos) and eagle (S. Juan) Texture: Structure of the matter of a picture. Eardrum: Space delimited by the lintel and the archivolts in the fronts of the medieval Churches. In the classic temples the interior of the pediment. Tone: Each of the bands into which conditionally the solar light splits on having been decomposed by a prism. The tones are usually called colors. Tracería: Architectural decoration formed by combinations of geometric figures. If the tracería is soaked it is called a cresting. It plans: Design planned especially in architecture. Trephine: Instrument that serves to perforate and leaves deep incisions of scarce size that provide an effect of clair-obscure. Tribune: High platform constructed in the Roman forum. 'Also gallery on the side temples ship at a height of the first apartment. Horn: To see in Dome. Tumulus: Artificial mount that covers a grave. Vain: Hollow in a wall. Glazed earthenware: Applied glassy bath of different ways on the matter destined to vitrificarse by means of the cooking. Chromatic vibration: Term used to designate an optical illusion that synthesizes the considerable contrast of the chromatic symmetrical series as a spatial three-dimensional movement (Vasarely). Vorticismo: Artistic movement initiated by Wyndham Lewis in London, in 1914. According to Herbert Read it is the English version of the Futurism, although also it received influences of the Cubism. Xylography: engraving on wood that is obtained emptying the parts that Must turn out to be half notes so that only they stay in relief and can receive the impression ink the lines corresponding to the drawing. 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